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Beyond 1984, Beyond 2001, Beyond Love, Beyond Death.

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A wisecracking New York reporter intrudes on a research scientist’s quest to unmask The Moon Killer. Part of the Michael Curtiz Double Feature.

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When some very creepy things start happening around school, the kids at Herrington High make the chilling discovery that their faculty is being controlled by body-snatching aliens.

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One of the most immersive and rarefied experiences in the history of cinema, Andrei Tarkovsky’s Stalker embarks on a metaphysical journey through an enigmatic post-apocalyptic landscape. A hired guide—the “Stalker” of the title—leads a writer and a scientist into the heart of the Zone, the restricted site of a long-ago disaster, where the three men eventually zero in on the Room, a place rumored to fulfill one’s most deeply held desires. Adapting a science-fiction novel by Arkady and Boris Strugatsky, and making what would be his final Soviet feature, Tarkovsky created a challenging and visually stunning work, his painstaking attention to material detail and sense of organic atmosphere further enriched by this vivid new digital restoration. At once a religious allegory, a reflection of contemporary political anxieties, and a meditation on film itself—among many other interpretations—Stalker envelops the viewer by opening up a multitude of possible meanings.

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